Music Industry Statistics: A Record Year for British Music
UK recorded music passed £1.49 billion in 2024 and the wider music sector contributed a record £8 billion to the British economy. Global revenues hit $29.6 billion (about £23.4bn). Here are the numbers behind the modern music business.
Key takeaways
- Global recorded music revenue 2024: $29.6 billion (about £23.4bn).
- Tenth straight year of global growth (+4.8%).
- Streaming delivers 69% of global revenue, over $20bn for the first time.
- 752 million paying streaming subscribers worldwide (up from 667M).
- People listen to an average of 20.7 hours of music per week.
- Emerging regions grew fastest, around +22% in Latin America and Africa.
- Broader measure: MIDiA puts the market at $36.2 billion.
- Top 5 markets: US, Japan, UK, Germany, China.
- The UK is the third-largest recorded-music market in the world.
- UK recorded music revenue hit £1.49 billion in 2024 (+4.8%).
- Tenth straight year of UK growth, market up over 80% since 2014.
- UK streaming revenue crossed £1 billion for the first time.
- Streaming now makes up 88.8% of UK music consumption by volume.
- UK vinyl LP revenue rose to £145.7m, 17th year of growth.
- Almost 200 billion audio streams in the UK in a single year.
- UK Music: the sector contributed £8 billion in GVA in 2024.
- 220,000 jobs supported across the UK music industry.
- UK music exports hit a record £4.8 billion.
- PRS for Music collected £1.15 billion for songwriters in 2024.
- PPL paid £301 million in performer royalties, a 90-year high.
- Universal, Sony and Warner together hold roughly 60% globally.
- Spotify holds roughly 32% of global paid subscribers.
- Spotify removed 75M spammy uploads in one year as fraud scales.
- AI could cannibalise 24% of music creators' income by 2028.
- Spotify paid ~$10bn and YouTube ~$8bn to the industry.
The global music market
1. Global revenue of $29.6 billion
In 2024, the global recorded-music industry brought in $29.6 billion (roughly £23.4 billion at current rates), a fresh high water mark for the streaming era.1
2. Ten straight years of growth
The market grew 4.8% year on year, the tenth consecutive year of growth. That is a remarkable streak for an industry that was being written off only a decade ago.2
3. Streaming is 69% of revenue
Subscription and ad-supported streaming combined topped $20 billion for the first time in 2024 and now make up 69% of all recorded-music sales worldwide.3
4. 752 million paying subscribers
The number of paid music-streaming subscribers worldwide jumped from 667 million to 752 million in a single year, growth of 10.6%.4
5. 20.7 hours of music per week
According to IFPI's global listener study, people now spend an average of 20.7 hours per week engaging with music, more than ever before.5
6. Emerging regions are growing fastest
The Middle East and North Africa (+22.8%), Sub-Saharan Africa (+22.6%) and Latin America (+22.5%) all posted double-digit gains and outpaced the world average.6
7. Counted more broadly, it is $36.2 billion
When you include expanded rights such as merch, sponsorship and brand income, MIDiA Research values the 2024 recorded-music market at $36.2 billion, up 6.5%.7
The biggest markets in the world
8. The top five: US, Japan, UK, Germany, China
The five largest recorded-music markets in 2024 were the United States, Japan, the United Kingdom, Germany and China, with the US comfortably in the lead.8
9. The UK is the world's third-largest market
The UK is the third-biggest recorded-music market on earth, behind only the United States and Japan. With around 1% of the world's population, Britain accounts for close to 10% of global music consumption.9
The UK music market
10. £1.49 billion in recorded music revenue
The UK recorded-music market grew by 4.8% in 2024 to £1.49 billion in trade revenue, according to the BPI, combining streaming, physical, downloads, sync and public performance.10
11. A decade of unbroken growth
That is the tenth consecutive year of growth for the British market, which is now more than 80% larger in nominal terms than it was at the 2014 low point.11
12. UK streaming revenue crosses £1 billion
Streaming revenue broke the £1 billion barrier for the first time in 2024, rising 5.7% to £1.02 billion. Paid subscriptions alone delivered £875.5 million, more than 86% of the streaming total.12
13. Streaming is 88.8% of UK consumption
By volume, streaming now accounts for 88.8% of all UK music consumption, with British listeners spending a record £2.02 billion on subscriptions through retailers in 2024.13
14. Vinyl is up for the 17th year in a row
UK vinyl LP revenue rose 2.9% to £145.7 million in 2024, the 17th consecutive year of growth, with 6.7 million LPs sold and Taylor Swift's "The Tortured Poets Department" topping the chart.14
15. Almost 200 billion UK audio streams
Britons racked up just under 200 billion audio streams in 2024, an 11% rise on the previous year and a fresh all-time high for the UK.15
16. £8 billion in GVA for the UK economy
UK Music's "This Is Music 2025" report puts the wider music sector's contribution to the UK economy at a record £8 billion in Gross Value Added in 2024, up 5% on 2023.16
17. 220,000 jobs supported
Total employment across the UK music industry reached a record 220,000 full-time equivalent posts in 2024, with live music alone supporting 72,000 jobs as music tourism climbed 23%.17
18. £4.8 billion in UK music exports
UK music exports hit a new high of £4.8 billion in 2024, with British acts such as Charli XCX, Dua Lipa and Sam Fender driving demand abroad. Recorded-music exports alone topped £794 million.18
19. PRS for Music collected £1.15 billion
PRS for Music reported record revenues of £1.15 billion in 2024 and paid out £1.02 billion in royalties to songwriters, composers and publishers, up 8.1% year on year.19
20. PPL passed £300 million for the first time
PPL, which licenses recorded music for public performance and broadcast in the UK, took in a record £301 million in 2024 and paid more than 172,000 performers and rightsholders.20
The labels and platforms behind the music
21. Three majors control roughly 60% of the world
The "Big Three", Universal, Sony and Warner, together hold about 60% of the global recorded-music market, with the rest split between independents and self-releasing artists.21
22. Spotify holds about a third of paid subscribers
Spotify ended 2024 with roughly 32% of all paid music subscribers globally, well ahead of Apple Music, Amazon Music, Tencent Music and YouTube Music.22
23. Spotify deleted 75 million spammy tracks
As payouts have grown, so has the incentive to game them. Spotify removed more than 75 million "spammy" uploads in a single year, many of them mass-produced AI files.23
24. AI could take 24% of creator income by 2028
A global CISAC study warns that generative AI could cannibalise about 24% of music creators' revenues by 2028 if the regulatory framework stays unchanged.24
25. Platforms are paying record amounts
Spotify paid out about $10 billion to the music business in 2024, and YouTube reported more than $8 billion in payouts over the following 12 months, both record sums.25
Frequently asked questions
How big is the UK music industry?
UK recorded music passed £1.49 billion in trade revenue in 2024, up 4.8% and the tenth straight year of growth. The wider music sector contributed a record £8 billion in Gross Value Added to the UK economy and supported 220,000 jobs.
Is the UK the biggest music market in the world?
No. The UK is the third-largest recorded-music market in the world, behind the United States and Japan. With around 1% of the world population, Britain accounts for close to 10% of global music consumption.
How much of UK music consumption is streaming?
Streaming now makes up 88.8% of UK music consumption by volume. UK streaming revenue crossed £1 billion for the first time in 2024, rising to £1.02 billion, and Britons racked up just under 200 billion audio streams.
How much did PRS for Music and PPL collect in 2024?
PRS for Music reported record revenues of £1.15 billion in 2024 and paid out £1.02 billion to songwriters, composers and publishers. PPL passed £300 million for the first time, taking in a record £301 million and paying more than 172,000 performers and rightsholders.
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Sources
- IFPI (ifpi.org)
- Music Ally (musically.com)
- Music Week (musicweek.com)
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- RouteNote (routenote.com)
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- MIDiA Research (midiaresearch.com)
- Wikipedia (en.wikipedia.org)
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- BPI (bpi.co.uk)
- Creative Industries News (creativeindustriesnews.com)
- Complete Music Update (completemusicupdate.com)
- Music Week (ERA) (musicweek.com)
- Official Charts (officialcharts.com)
- DJ Mag (djmag.com)
- UK Music (ukmusic.org)
- IQ Magazine (iqmagazine.com)
- BPI (bpi.co.uk)
- PRS for Music (prsformusic.com)
- PPL (ppluk.com)
- Music & Copyright (musicandcopyright.wordpress.com)
- Statista (statista.com)
- Spotify Newsroom (newsroom.spotify.com)
- CISAC (cisac.org)
- TechCrunch (techcrunch.com)
Lena Brandt